Grateful Dead Live at Radio City Music Hall on 1980-10-25
- Grateful Dead
- DeadLists Project
Deep Elem Blues, The Race is On, I've Been All Around This World, El Paso, To Lay Me Down, Monkey & The Engineer, Bird Song, Heaven Help The Fool, Dire Wolf-> Ripple
Mississippi Half Step-> Franklin's Tower, Me & My Uncle, Big River, High Time, Minglewood Blues, Ramble On Rose, Looks Like Rain, Deal
Cold Rain & Snow-> Lost Sailor-> Saint Of Circumstance-> Uncle John's Band-> Playin' In The Band-> Drums-> The Other One-> Black Peter-> Around & Around-> One More Saturday Night, E: U.S. Blues
First Set Acoustic
Related Music (Beta) question-dark
Versions - Different performances of the song by the same artist
Compilations - Other albums which feature this performance of the song
Covers - Performances of a song with the same name by different artists
|Deep Elem Blues|
|The Race Is On|
|I've Been All Around This World|
|Monkey & the Engineer|
|To Lay Me Down|
|Heaven Help the Fool|
|Dire Wolf ->|
|Mississippi Half-Step Uptown Toodeloo ->|
|Me & My Uncle ->|
|New Minglewood Blues|
|Ramble on Rose|
|Looks Like Rain|
|Cold Rain & Snow ->|
|Lost Sailor ->|
|Saint of Circumstance|
|Uncle John's Band ->|
|Playing in the Band ->|
|The Other One ->|
|Black Peter ->|
|Around & Around ->|
|One More Saturday Night|
This recording, like the other Gatto-Jaeger recordings of this run, has excellent high-end energy, but was
lacking a bit in the lower frequencies. The recorder was paused between most non-sequential songs creating
abrupt tansitions, most noticable in the first set. The second set contained several sonic anomalies scattered
throughout. Several songs were not ideally tracked with a couple of songs in the third set combined into
one track. I asked Dan if he could boost the base without affecting the mid-range and high-end and clean up
the transitions and anomalies.
Dan's Change Log:
102- Cross-faded about 2 seconds
103- Cross-faded about 3 seconds
104- Cross faded about 2 seconds; Quasi-fadeout (-12.42dB) for track 4
105- cross-fade to track 6
106- Trimmed about 1/4 sec. of silence from end
107- Trimmed 1/4 sec. of silence from end 107; crossfaded 3 secs
108- faded out 107 and let 108 start as it was because music was already cut for beginning of track 108
109- clapping at first note of Dire Wolf so faded out HHTH applause for about 3 sec then a fast fade in to DW.
110- Did a slightly faster fadeout
201- faded in; anomaly at 5:28 Interpolated so it's not noticeable now.
202- anomalies at 8:02 & 8:10 (8:02 has a funny sound; fixed the tape start, but not the odd sound;
fixed by cutting out about 1/4 second and interpolating the two pieces; 8:10 fixed the same way)
204- anomalies at 5:54, 6:16, 6:29, & 6:52 Interpolated
205- anomalies at 8:55 & 9:04 (crossfaded the first, cut the second out)
206- anomalies at 7:55, 8:51 & 9:03 interpolated
209- abrupt ending faded out
301- There were two level changes, and a gradual increase in level, so I added 2dB to the second change,
4 dB to the first change, and then added a linear increase from 3 to 0dB for the first few seconds.
Still starts abruptly, but the music sounds about right after it starts.
302/303- blank space cut out; cut to two tracks
306- anomaly or cut at 8:39 looks like digi-mess from the transfer. Blocky spots and blank spaces.
Only option was to cut it out or paste over from another spot. About 1 second removed.
307/308- Split into 2 tracks
311- Redid fade
312- faded in; cut a small section of blank space at the end of song.
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac files.
If converted to wav during processing, all tags will be stripped,
however audio data will remain unaffected.
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 5-18-12
- 2012-05-19 17:37:24
- New York, NY
- Run time
- Nak 700's > Sony D-5 > AMC; Recorded Dead front center loge by Keith Gatto & Pete Jaeger; AMC > DAT > CDR > EAC > FLac (EAC > Flac by Michael Turi); Equalization: Used a multifilter with the following order: 20-band EQ with linear increases from 0-500 Hz. One subharmonic synthesizer set at 125 Hz. Two expanders (dynamic noise in expander mode) to increase the dynamic range. May, 2012-Dan McDonald
- Taped by
- Keith Gatto & Pete Jaeger
- Transferred by
- Flac by Michael Turi, eq by Dan McDonald
- Radio City Music Hall
Subject: High Audience Energy
This recording demonstrates the remarkable enthusiasm of the New York crowd. My goodness, they are just all over it. It's obvious that they loved the GD, that's for sure.
Though there is not a lot of bass response in the mix, the crowd energy must have charged-up the band because it is a well-played concert throughout.
Subject: excellent recording
Uploaded by Matthew Vernon on